Shadows of the Etruscan

Now we will start with our conference at the medeterane museum museum martina Cognati from brera academy this is a collaboration with the fondazione lerici That will be the influence of the Etruscan in 20 th century art. Sweden is relaly interst in the etrsacn we will sahere some of the discovery is the first one for the fascinating fell. There are more people that work with archeology. We will start our journey the impact of thema and their fascination has been deep profound and write apart for the Artiro martin that said it many Italian sculture identify themselves with the Etruscan as an antien alte18th and early the German source eduard Gerard in 1829 the George Dennis The cities and cemeteries of Etruria even dega read it in orginal langaue thye talk about a eutruscomai manu person chose to see the Etruscan city because of denis. The campanari sold the Etruscan coalction all this become really influent. It was an English ppoet Edward syore publish in Rome a magazine for a couple of years. In 1918 the magazine ATys was totally devoted after the exhibition of the Apollos of velios s as a archaeologist they exipitet this huge discovery. This was something huge. Erico prampolini and futurist made art nouvea image of a Turaa rhe Etruscan world It belong to one of the  two world the Etruscan that everyone felt free to revent the mystery become a powerfull form Florence , genoa Orvieto become early medieval and after the reinasisance that presented the very Italian identity. Some despair Etruscan for their archaism it is contrapose to the classicism. The idea was who should have their art. Lawrence contrapose the old Italy of the etriuscan aginst the idea of the new rome. Etruscan antifascist and Roman were the old model of Mussolini and his gangs. Quirino Giglioli descover the Apollo of velio. The exhibition was loved and hated because of the anticlassical power and sttngt against petry . we have most tombs. Edgard Degas was really influence about the Etruscan the sarcofago of the sposi bought by napoleon III degas signed the drawing Degas prefer the archaism to the classicism a vase done by degas a portair of the 5th AC that is in the louvre it is a piece that he copy. Another artist is andré Derain one of the founder of the fauve he was Parisian but discover the Etruscan in the British museum. They wee by derain regards as the African. Eyruscan become part of the escape from classicisms. Many terracotta head derain worked in thetre in 1893 they present a pagan rite in a squeere with the Etruscan time. He collect them 1912 he took inspiration wasn’t only coppy. Carlo carrá founded of the Novecento movement is a primitive face. He used Etruscan sorcies the daughter of lot the dogs the step is similar to the Etruscan dogs. Arturo martini took the Etruscan movement first he visited villa Giulia 1920 and 1921 Giglioli let the artist inside the museum when the museum ws close he get a very personal approach martini was a difficult man that should had broke some pottery because he wanted to see the other. The Etruscan were not make art for the artisti but for ritual prophesy he said in Trevigina I’m the true Etruscan the use it in many tim it was the smile and the eyes a portrait of the daughter that are quoted the lion of monterose and the cimera of Arezzo. Martini wsa compels the pistoise marino marini worked with Martini in Monza and he used the Egyptian the estrscan and other he prepare the people. Flavio fregonzie a scholar that made and exhibition about Marino . he mutilate the sculpture in 1920 and 1960 and he mutilate the sculpture to age the idea that it comes out from the soil. Broken and reconfirmed fragment. The imaginary portrait become only a collection of fragment. Massimo campigli said I fall in love as I should have been with a woman. The gesture and other the jewels had a very Etruscan appearance the roman school see Scipione in 1929 it mend the return the anticalssic and national Italian. The only woman is Antonietta Raphael mother  a jews Russian married with an Italian she work with Epsein and the body is compels. Mirko’s a was from Udine basardella they went to study in Rome. He restore throw martini everything as to do with chimera. Medieval and Etruscan with a bit of maya and south American Tullio garbari thought that tro the Rieti the Tertian were decent of the Etruscan it was the very identity. Are the local German or Italian. It was an attempt of connect the catholic faith and the Italian. The sybyl and the temple and the cross. Gio’ Ponti had strong Etruscan petry in manifatura ginori used to visit museum for to see the Etruscan poetry it become the most famous pieces and funeral urn from Volterra he used etrusvcan source. After world war 2 things changes the point become what have the Etruscan to tell us. The interest become really big they become several documentary also by Emiliocechi made in 1947 the director that fall in love was Lucchino Visconti “vaghe stele dell’orsa maggiore” Claudia Cardinale was the really Etruscan woman it is a tragedy and a obsure beauty death and love. Cradinali is Sicilian but from Tunis. Masimo palotini made a big exibition of the Etruscan civilisation it was the discovery again. It was 1955 roberto Longhi hated it it become a discovery. Alberto Giacometti is a problem did he use the Etruscan yes or now. He spoke a lot about he come in 1921 to Italy and vist Florence he saw only the egypitina. And the new guines he never said about the Etruscan even if Rosalin Kraus said than in the surrealist period he took come idea from the Piacesa lever that is model the head are quite similar. Rainar hall said that he had this Giacometti that recreate in his own way. Perception and not relationship there is a ombra della sera. They are very similar. There are no prove about see Giacometti there he was a complete mature sculture. Henry Moore vist the museim in London this one come from Etruscan I raprest them in several drawing it is a copy about them. Pinot galizio one of the few painter the situation is with guy deboard  the Etruscan night he painted than the effect of a painting with atmosfering and maliconly leocillo Leonard that lovers inspired by it to feel attach for the Etruscan is broken like a antiene piece Roerto Sebastina matta the collaborate with Romero Borso a tombarolo that was a falsity he made the Arnald Pomodoro now in his 90 the Urbino cemetery in the marche made like a Etruscan charity  this project has been not realise. Mario schifano a pop Italian artist sons of a archaeology in 1985 for the opening of the Etruscan he was asked in a night to painted a Chimera. It was a big performance. Michelangelo Pistolettoat the farnesina the haranguer a late Etruscan almost roman painted in cold a calco and pointed it in front of a mirror. We are in front of it how long is the Etruscan influence. We can both say there are some movies some thriller movie the estrusacn kills again assasintaion of the cimity. Caps seriers fumetti if you go there you can buy gadget in etruisacn shape this comes after the 1980th mostly in Tuscany they feel they belong it is a different approach mostly are giving a cultivate answers to the sourse they said official the person was a Etruscan

Robert Fogelberg Rota